What happens when Pakistan’s slickest filmmaker and the country’s boldest producer come together with a platform that already made waves for reimagining pop culture? You get Velo Sound Station Season 3. The much-awaited trailer has just dropped and it doesn’t just tease a few bops, it quite literally offers a peek into a world where music, visuals, and pure cinematic chaos fuse to become something way beyond a sound stage.
With Bilal Lashari directing and Ammara Hikmat producing, we’re no longer talking about music videos, we’re witnessing fully realized universes. It’s grand, it’s gritty, and it’s gorgeously over-the-top!
What did we see in the trailer that had our eyes popping? Diva explores…
Visuals Beyond Measure
Let’s talk about the trailer’s visuals — because frankly, it’s hard to talk about anything else. From a Mughal-inspired durbar to a club dance hall, to a surreal minimalist corridor and even a flying rickshaw tearing through the countryside, each frame is more thrilling than the last, and we’re here for it. There’s drama, there’s choreography, there’s neon and there’s Bilal Lashari proving that he doesn’t just shoot scenes, he builds entire worlds. We don’t think any other music show in the country can do it like this.
Artist Lineup Is So Good, It Feels Illegal
The cast of Velo Sound Station S3 reads like the Met Gala of the Pakistani music scene and that’s not even being dramatic. You’ve got Atif Aslam, casually reminding us he still owns the game. Fawad Khan is back, mic in hand, hair on point, looking like a rockstar fallen straight out of a fashion editorial. Then there’s the alt-pop girl gang featuring Natasha Noorani, Annural Khalid, and Shae Gill, bringing dreaminess and bite in equal measure.
We’ve also got the internet’s favourite boys, Hasan Raheem, Young Stunners, Abdul Hannan, with each bringing their signature vibe to Lashari’s cinematic universe. Add in qawwali powerhouses like Zain Zohaib to the mix along with the powerful voices of Adnan Dhool, and Risham Faiz Bhutta, and suddenly, you’re watching a platform that doesn’t just celebrate sound, it archives a whole generation of talent.
The Bilal Lashari Experience
There’s directing, and then there’s Bilal Lashari directing, which feels like its own cinematic genre at this point. If you’re expecting static close-ups of people singing into mics, you’re definitely in the wrong decade. He has mixed up the entire format and rebuild it from scratch. The camera moves like it’s dancing to the beat, characters interact like they’re mid-narrative, and no frame feels random. You’ll be so visually absorbed, you’ll forget this was ever meant to be ‘just a music show.’
VELO Said ‘Antidote to Average,’ and Honestly, We Felt That
Say what you want about branded content, but Velo Sound Station has always known how to disrupt a stale scene, and Season 3 is their most rebellious era yet. The brand’s philosophy — Antidote to Average — has never felt more accurate. Gone are the neon triangle backdrops and basic pop choreography of seasons past. What we have now is a world-class spectacle that rivals international productions in ambition and execution. But the transformation isn’t just about scale, it’s about purpose. With Ammara Hikmat’s sharp production instincts running the backend, It’s a full on reinvention of how we consume music visually. And spoiler alert: it’s addictive.
Somewhere Between Sufi Soul and Sci-Fi
You know when a show throws so many ideas at you and every single one lands? That’s what Velo Sound Station S3 feels like. It’s got dhol beats and trance lights. Sufi energy and cyberpunk aesthetics. You go from devotional qawwali in gilded halls to fashion-forward dance anthems in glowing white palaces, and then straight into car chases, surrealist corridors, and Atif Aslam giving off Fast & Furious energy. Somehow, it all makes sense. It’s theatrical without looking like it’s trying too hard, and we’re definitely here for it!
What did you like in trailer? Tell us in the comments section below!